小妇人读后感【精编4篇】

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小妇人读后感英文版【第一篇】

Before I read this book, I had watched a cartoon movie made by Japan. So I have a strong interest on it. It all begins in the dead of winter; The Christmas Season. The coldest one of all, were the war has made fuel for heating very scarce. While her husband is off at war, Marmee is left alone to raise their four daughters: Jo, Meg, Beth, and Amy. On Christmas Eve, Marmee has just arrived home from passing out food to the less fortunate with a letter from her husband, the girls' father.

The all gather together around the fire to read the letter. Afterwards, the girls are teary eyed. Marmee kisses them and they are off to bed. Jo is longing to become a writer. So, every night she stays up late writing the script for soap operas. As morning comes she is the last one awake.

The table is set, and food prepared for their Christmas feast. As dusk falls, the girls are all up in the attic acting out Jo's play, which she reads from the local (fake) newspaper. As they are performing, their rich, next-door neighbors grandson watches from the window. The 2 oldest girls: Jo and Meg, get ready to attend the Christmas Ball. While Jo is curling Meg's hair, there is a strange smell to the air.

Amy screams, Megs hair is being singed. They continue digging through the old clothes bin for a pair of white gloves. One of the prominent themes in Little Women is the coming of age or maturation of the girls. During the course of the novel we see them grow in many ways -- physically, intellectually, and especially emotionally.

One question which readers must ask themselves is whether the views the characters have on the coming of age process are shared by Alcott. If they aren't, what are Alcott's views and how do they differ from those of the women in her story?

It is interesting to examine the last half of Chapter 20, "Confidential." Jo addresses the maturation issue as she speaks with Marmee of the situation between Meg and Mr. Brooke.

The possible love between these two represents one of the very important aspects in coming of age for a teenage girl. Jo treats this natural process as if it were some sort of disease, however. Jo cannot understand why Meg would want to stop behaving "like a sensible creature" (), and refers to love as "such nonsense." This book tell me how to deal with the family affairs. We should know the love between the members.

小妇人读后感【第二篇】

本书是美国女作家露易莎·梅·奥尔科特创作的长篇小说,该书描写了美国南北战争时期的一个普通家庭四姐妹之间的故事。是一部融亲情、友情、爱情于一身的道德伦理小说。小说受到当时的大思想家爱默生的影响,强调了个人尊严与自立自律的观念,内容平实却细腻,结构单纯而寓意深远,富有强烈的感染力。一个多世纪以来在全世界保持着稳定的销量,影响了一代又一代读者。

Women,they have minds,and they have souls,as well as just they’ve got ambition,and they’ve got talent,as well as beauty,and I’m so sick of people saying that love is just all a woman is fit for.

女人,她们有思想、有灵魂,也有感情;她们同样拥有志向、才华,不单单只是漂亮。我厌倦别人说。——《小妇人》作者路易莎·奥尔科特

《小妇人》故事梗概【第三篇】

美国内战期间,马奇先生远赴战场做了随军牧师,四个女儿和母亲在家里过着清苦却坚强乐观的生活。她们虽贫穷却乐意帮助比她们更需要帮助的邻居赫梅尔一家。她们有也虚荣心,希望得到漂亮的衣服,吃到可口的食物,让上公主一样的生活。尽管充满幻想,她们的现实环境中依靠自己的努力来面对生活的各种艰难困苦。大女儿梅格生性爱美,对恋爱充满憧憬;二女儿乔是个“男仔头”,独立自主,矢志成为作家;三女儿贝思则是传统乖乖女,柔弱而惹人怜爱;小女儿艾美则钟爱绘画。故事追随这四位女性由女孩成长为小女人的岁月,讲述了她们不羁的爱情经历及她们各自追寻不同理想与归宿的过程。

受美国当时第一大思想家爱默生的影响,《小妇人》强调个人尊严和自立自律的重要,富有强烈的感染力,一个多世纪以来在全世界保持着稳定的销量,影响了一代又一代读者。《小妇人》是一本小说化的家庭日记,一本道德家世小说。马奇家四姐妹对自立的权力的追求以及她们对家庭的忠诚眷顾构成了一对贯穿全书的矛盾,使故事熠熠生辉,情节生动感人。这是一本自我抑制和自我表现相结合、实用主义和乌托邦思想并存的小说。

这是一部小说化的家庭日记,马奇家的女人个性各有不同,然而个个都是艺术家,乔富有创造力,爱好写作,艾美优雅、自私,擅长绘画。贝思具有牺牲精神,经常弹琴。梅格高贵,虚荣,主要写剧本,演出和管理家务,她们的母亲则循循循善诱,营造了一种有威信,异常活跃而又自律的生活,她们最终种自得到了需要和应得的东西。小说家用朴实无华的手法描写马奇家四姐妹曲折起伏,温馨甜美的生活和命运,情感纯真,叙述生动,情节动人,本书由此成为美国文学的经典作品。

《小妇人》故事梗概【第四篇】

这部小说以家庭生活为描写对象,以家庭成员的感情纠葛为线索,描写了马奇一家的天伦之爱。马奇家的四姐妹中,无论是为了爱情甘于贫困的海格,还是通过自己奋斗成为作家的乔,以及坦然面对死亡的贝思和以扶弱为己任的艾米,虽然她们的理想和命运都不尽相同,但是她们都具有自强自立的共同特点。描写了她们对家庭的眷恋;对爱的忠诚以及对亲情的渴望。

马奇一家有四个姐妹,生活清贫、简单而又温馨。四组妹性格迥异;老大梅格漂亮端庄,有些爱慕虚荣;老二贝丝善良羞涩,热爱音乐,老三乔自由独立,渴望成为作家,老四埃米聪慧活泼,爱好艺术,希望成为一名上流社会的“淑女”。

所有时代的所有少女成长过程中所要面对的经历的,都可以在这本书中找到:初恋的甜密和烦恼,感情与理智的译,理想和现实的差距,贫穷与富有的矛盾。

《小妇人》故事情节简单真实,却感人至深,问世一百多年以来,多次被般上银幕,并被译成各种文字,成为世界文学宝库中的经典名作。书中描写的种种情感体验和生活经历,都曾经、正在并将要发生在每一个少女走向成熟的过程之中;书中提倡善良、忠诚、无私、慷概、尊严、宽容、坚韧、勇敢、亦是人类永远尊崇和追求的美德和信低仰。所有这些,赋予这本书超赵时代和国度的生命力,这也正是她成为不朽的典的魅力和原因所在。

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